Chapter 2: Basics of Journalism

For much of the nineteenth century, a newspaper report often read like a story — it built up slowly, saving the most dramatic fact for the end, the way a folk tale saves its twist. That habit broke during the American Civil War, when journalists at the front had to send their reports over telegraph lines shared with military and government messages.

The lines were unreliable and frequently cut mid-transmission, sometimes by enemy action, sometimes by simple technical failure. A correspondent had no guarantee that a message begun would ever be completed. Telegraph operators also charged by the word, which meant a long, leisurely account was expensive as well as risky.

Reporters adapted quickly. They began putting the single most important fact of the story in the very first line, then the next most important fact after it, and so on — so that even if the wire went dead halfway through, the newspaper at the other end still had a usable, sensible report. What had started as a wartime workaround became a habit, and the habit became a rule that still shapes how news is written today.

This chapter looks at that rule, and at the wider craft of journalism that grew up around it — how a report is built, what makes information newsworthy in the first place, and how words and photographs work together to tell a story that people can trust.

Diagram

Fig. 2.0-1 – a telegraph operator at a desk sending a dispatch down a wire, with a newspaper office at the far end receiving a partial, cut-off message that still makes sense on its own; label the telegraph key, the wire, and the point at which the message breaks off

NoteCuriosity Corner

Q1. Why do news reports usually put the most important information in the very first line, instead of building up to it slowly? Q2. What actually separates “hard news” from “soft news” — and why does the difference matter for how each is written? Q3. What makes a headline catchy without tipping over into being misleading? Q4. Why do journalists check off six particular questions — who, what, when, where, why and how — before they consider a report complete? Q5. Can a photograph carry a news story on its own, or does it always need words alongside it? This chapter will answer each of these questions as it explains how journalists gather, structure and present the news.

2.1 Definition of Journalism

Think of the last time you heard about something happening in your city before your family did — a road closed for repairs, a new bus route, a cricket match result. Somebody had to notice it, check that it was actually true, and pass it on in a way you could trust. That chain of noticing, checking and telling is the heart of what this chapter calls journalism.

Journalism is the regular, organised activity of gathering information about current events, checking it for accuracy, and presenting it to the public through a newspaper, a broadcast, a website or any other medium. It is not the same as simply repeating something you heard. A rumour passed between friends has not been checked; a journalist’s report has.

Two things separate journalism from ordinary conversation about events. The first is verification — the deliberate process of confirming that a piece of information is true before it is shared, usually by checking it against more than one source. The second is public interest — the idea that the information matters to people beyond the reporter’s own circle, because it affects their safety, their rights, their money or their understanding of the world around them.

Diagram

Fig. 2.1-1 – flow: an event happens → a journalist gathers information about it → the information is verified against sources → it is written or recorded → it is presented to the public through a newspaper, broadcast or website

NoteDefinition

Journalism is the professional, organised activity of gathering, verifying and presenting information about current events to the public, in a form the public can trust and act on.

Q. If a student tells their classmates that the school is closing early today, is that journalism?

A. Not on its own. It only becomes journalism-like activity if the information has been checked against a reliable source — such as a notice from the school office — before it is shared. Journalism is defined by the discipline of verification, not just by the act of sharing news.

The word “journalism” comes from the French journal, meaning a daily record. The earliest journalists were, quite literally, people who kept a written account of each day’s events — a habit that survives in the modern newsroom’s insistence on dating and timing every report.

2.2 Understanding News

2.2.1 Definition of News

Not everything that happens becomes news. A bus arriving on time is an event, but nobody reports it; a bus catching fire is also an event, and every local channel will cover it. The difference lies in what makes an event worth telling other people about.

News is the organised process of collecting, checking, editing and sharing information about recent and significant happenings — the kind of happenings that change something in people’s lives or in their understanding of the world. It covers developments in politics, the economy, society, science and culture, and it is meant to help people respond sensibly to what is going on around them.

NoteDefinition

News is verified information about a recent or ongoing event that is significant enough to affect or interest the public, presented in a way that helps people understand it.

2.2.2 Hard News and Soft News

Not all news carries the same kind of urgency, and journalists sort stories into two broad categories to decide how each should be written and how quickly it should reach the public.

Hard news deals with serious, time-sensitive events of direct importance to society — matters of governance, law and order, the economy, public policy and international relations. Because a delay of even a few hours can make hard news less useful, it is written and published quickly, in a formal, restrained tone, with strict attention to accuracy and objectivity. A report on the outcome of a state election is hard news: readers need the correct result as soon as it is available, not a colourful account of the celebrations.

Soft news, by contrast, focuses on human interest, lifestyle, culture and personal experience. It is not tied to the clock in the same way — a feature on a local craft tradition is just as readable a week after it is written as it is on the day. Soft news is allowed a more descriptive, narrative style, and it often appeals directly to the reader’s emotions, but it still has to be truthful; only its tone and pacing are more relaxed than hard news, not its regard for fact.

Q2. What actually separates “hard news” from “soft news” — and why does the difference matter for how each is written?

A. Hard news covers urgent, high-impact events — governance, the economy, public safety — and must be reported quickly, formally and with strict accuracy, because its value depends on timeliness. Soft news covers human interest, lifestyle and culture, remains relevant for longer, and allows a more descriptive, personal style of writing, though it must still be factually accurate.

Q. A newspaper carries a report on a new state budget and, on the same page, a feature on a family running a century-old bakery. Which is hard news and which is soft?

A. The budget report is hard news — it concerns public policy and needs to reach readers quickly and accurately. The bakery feature is soft news — it is a human-interest story that would remain just as engaging if read a month later.

Table 2.1 – Hard News vs Soft News | Feature | Hard News | Soft News | |—|—|—| | Subject matter | Governance, economy, law and order, public policy | Human interest, lifestyle, culture, personal experience | | Time sensitivity | Highly time-bound; loses value if delayed | Not strictly time-bound; stays relevant longer | | Tone | Formal, restrained, objective | Descriptive, narrative, may appeal to emotion | | Primary purpose | To inform citizens so they can respond to public developments | To engage and interest readers while still informing them |

Most news reports fall clearly into one category or the other, though the line can blur — a report on a new health policy, for instance, is hard news in substance but may be written with the more personal, narrative touch usually associated with soft news, if it follows one family’s experience of the change.

2.3 Components of News

A news report earns the reader’s trust through a small set of disciplines that journalists apply to every story they write. Five of these — accuracy, attribution, fairness, clarity and brevity — are considered the essential components of news, because a report that is missing even one of them stops being reliable.

Accuracy means that every fact, name, figure and date in a report is correct and has been checked before publication. It is the most basic requirement of news, because a reader who cannot trust the facts cannot trust anything built on them. A reporter covering a local election result, for example, verifies the count with the returning officer before printing a single number.

Attribution means clearly stating where a piece of information came from — a named official, a document, an eyewitness, or a report from another organisation. Attribution lets the reader judge for themselves how reliable a claim is. A report on a change in bus fares, for instance, states that the increase was confirmed by the regional transport office, rather than presenting the figure as if the journalist simply knew it.

Fairness means presenting a balanced account that includes the relevant viewpoints of everyone affected by a story, rather than favouring one side. A report on a dispute between a housing society and a builder is fair only if it carries a response from both parties, not just from the one that was easier to reach.

Clarity means writing in language that a reader from any educational background can follow at first reading, without unexplained jargon or tangled sentences. A report on a new tax rule is clear when it explains, in plain terms, what the change means for an ordinary taxpayer, instead of reproducing the technical wording of the notification.

Brevity means including only what the reader needs to understand the event, and cutting away detail that does not serve that purpose. A report on a civic budget announcement shows brevity when it states the main allocations and their effect, rather than transcribing every remark made during the announcement.

Table 2.2 – The five components of news | Component | What it requires | |—|—| | Accuracy | Every fact is checked and correct before publication | | Attribution | The source of each claim is clearly named | | Fairness | All relevant viewpoints are represented, without favouring one side | | Clarity | Language is simple enough for any reader to follow | | Brevity | Only necessary detail is included; nothing essential is missing, nothing extra is added |

These five components work together rather than separately. A report can be accurate and still be unfair, if it leaves out one side’s response; it can be fair and still be unclear, if it is written in dense, technical language. Responsible journalism requires all five at once.

Q. A report names its source only as “sources said”. Which component of news is weakest here — accuracy or attribution?

A. Attribution. The report may well be accurate, but because it does not clearly identify where the information came from, the reader has no way to judge how reliable that source is.

2.4 News Values

Every day, far more happens in the world than any newspaper or bulletin can report. Journalists rely on a set of criteria called news values to judge which events deserve coverage, and how much space or time each one earns. An event that scores highly on several of these values is considered strongly newsworthy.

Closeness in Time and Place

Timeliness refers to how recent an event is. News loses value quickly once an event is no longer current, because readers want to know what is happening now, not what happened last month. A report on the results of a board examination is timely only if it appears on or near the day the results are declared.

Proximity refers to how close an event is to the audience, whether geographically, socially or culturally. A decision made by a state government matters more, and is reported more prominently, to the residents of that state than to people living elsewhere, simply because it affects their own surroundings directly.

Weight and Impact

Prominence refers to the standing of the people or institutions involved in an event. A statement made by a well-known public figure attracts more coverage than the same statement made by someone unknown, because the person’s position gives the statement wider consequence.

Conflict refers to disagreement, opposition or struggle between individuals, groups or institutions. A debate between two sides in a policy dispute is newsworthy because it reveals a genuine tension in society that readers have a stake in understanding.

Consequence refers to the scale of an event’s impact — how many people it affects, and for how long. A change in fuel prices is highly newsworthy because it touches household budgets and transport costs across the country, not just in one locality.

Appeal to the Audience

Oddity refers to events that are unusual, rare or unexpected. A weather pattern that has never been recorded in a region before draws attention precisely because it breaks from the ordinary, even if it has no major long-term consequence.

Human interest refers to stories that highlight personal experience, emotion or achievement, allowing readers to connect with an event on a human level rather than a purely factual one. A report on a student who overcame a serious setback to do well in an examination appeals to readers because it is about a person, not just an outcome.

Development refers to an ongoing situation that continues to produce new information over time. A court case that returns to the news each time a new hearing takes place has news value because the story is still unfolding, not because any single hearing is dramatic on its own.

Table 2.3 – The eight news values | News value | What it measures | |—|—| | Timeliness | How recent the event is | | Proximity | How close the event is to the audience | | Prominence | How well-known the people or institutions involved are | | Conflict | Whether the event involves disagreement or struggle | | Consequence | How many people the event affects, and how seriously | | Oddity | How unusual or unexpected the event is | | Human interest | How strongly the event connects to personal experience or emotion | | Development | Whether the event is part of an ongoing, unfolding situation |

An event rarely carries only one news value. A cyclone approaching a coastal city, for example, is timely, has consequence for a large population, and may also generate human-interest stories about individual families — which is exactly why such an event receives sustained, prominent coverage rather than a single short report.

Q. A story about a rare species of bird spotted in a city park, and a story about a new law affecting all vehicle owners — which news value best explains why each is reported?

A. The bird sighting is newsworthy chiefly for its oddity — it is unusual and unexpected. The new law is newsworthy chiefly for its consequence — it affects a very large number of people.

2.5 Reporting and Editing Techniques

Gathering the right facts is only half of a journalist’s task. The other half is arranging and presenting those facts so that a reader can understand them quickly and completely, even if they read only the first few lines. This section looks at two techniques that make that possible: the structure used to organise a report, and the headline used to introduce it.

2.5.1 The Inverted Pyramid Structure

As the chapter opener described, the habit of placing the most important fact first grew out of the unreliable telegraph lines of the nineteenth century. That habit has survived because it still solves a real problem: most readers skim a report rather than reading every line, and a good structure has to serve them too.

The inverted pyramid is a way of organising a news report so that information appears in descending order of importance — the most critical facts at the top, supporting detail in the middle, and background information at the bottom. The name comes from its shape: broad and heavy at the top, narrowing to a point at the bottom, the opposite of a story that builds slowly toward a climax.

Diagram

Fig. 2.5-1 – an inverted triangle divided into three horizontal bands from top to bottom: the widest top band labelled “Lead — the most important facts”, the middle band labelled “Nutgraph and body — supporting detail”, and the narrow bottom point labelled “End — background information”; an arrow beside the triangle points downward, labelled “descending order of importance”

The lead is the opening sentence or short paragraph of a report. It carries the single most important piece of information and is usually built around the five Ws and one H, explained below. A reader who stops after the lead should still know the essential facts of the story.

The nutgraph is the paragraph that follows the lead and explains why the story matters — its broader significance, or the larger issue it connects to. Where the lead tells the reader what happened, the nutgraph tells them why it is worth their attention.

The body of the report carries supporting detail: explanations, statements from those involved, and the immediate causes or effects of the event. The end of the report holds background information — earlier developments or related context that deepens understanding but is not essential to it.

This ordering has a practical advantage: an editor pressed for space can cut a report from the bottom without damaging the core story, because the least essential information is placed last by design.

Writing in the Inverted Pyramid Purpose: to ensure a reader receives the most essential facts first, and to let editors shorten a report safely if space is limited. How it is done: identify the single most important fact and open with it; follow with supporting detail that explains or expands on that fact; close with background information that adds context but is not essential. What to watch for: the lead must not bury the key fact under minor detail, and the nutgraph must not simply repeat the lead — it should add the “why it matters” that the lead has no room for. Limitation: because it front-loads facts, the inverted pyramid is a poor structure for narrative, human-interest or investigative pieces that depend on building suspense or following a sequence of events — such stories are usually written differently.

Q1. Why do news reports usually put the most important information in the very first line, instead of building up to it slowly?

A. The habit began during the American Civil War, when journalists sending reports by telegraph risked having their transmission cut off at any moment. Placing the most important fact first meant that even an incomplete report still told readers what they most needed to know. The practice survives today because it also helps readers who skim a story rather than reading it in full.

The Five Ws and One H in the Lead

A strong lead is built by answering six questions, and reporters use these same six questions while gathering information for any news story, not only while writing the final report.

Who identifies the individuals, groups or institutions involved in or affected by the event — whose story it is, who made the decision, who is in charge, and who is affected by it.

What explains what has actually happened or what action has been taken — the core fact of the report, and what a reader most needs to know about it.

When places the event in time, telling the reader whether it has already happened or is still unfolding.

Where locates the event, and, where relevant, indicates which places or areas the decision will affect and where a reader could find out more.

Why explains the reasoning or cause behind the event — why the decision is being made now, and why it matters.

How explains the manner or process behind the event — how a decision was arrived at, how it will be carried out, and how information about it will reach the people it affects.

an original news lead built around the five Ws and one H The Municipal Corporation will close one lane of the Ashok Road flyover from Monday for six weeks to repair structural cracks found during a routine inspection. The engineering department confirmed the closure on Tuesday and said it could not be delayed without risking the safety of commuters. Bus routes 12 and 45 are expected to be affected during peak hours.

Read it for: - Who: the Municipal Corporation’s engineering department; What: closing one lane to repair cracks; When: from Monday, for six weeks - Where: the Ashok Road flyover, with the effect named on specific bus routes - Why and How: the cracks make the repair unavoidable, and the decision was confirmed through an official announcement

Q4. Why do journalists check off six particular questions — who, what, when, where, why and how — before they consider a report complete?

A. These six questions cover every essential dimension of an event — the people involved, the action itself, its timing, its location, its cause and its process. A report that leaves any one of them unanswered risks leaving the reader with an incomplete or confusing picture, which is why journalists use the five Ws and one H both while gathering information and while writing the lead.

2.5.2 Headlines

A headline is the first point of contact between a news report and its reader. Before anyone decides whether to read a story, they read its headline — which means the headline carries the double responsibility of drawing attention and accurately representing what follows.

Writing an effective headline means balancing attractiveness against accuracy, and journalists are guided by five factors while doing so.

A headline should be catchy, meaning it draws the reader’s attention through interesting, relevant wording — not through exaggeration.

It should be concise, presenting the central idea of the story in as few words as possible, since headlines are read quickly and often skimmed alongside several others.

It must not be misleading: it must accurately represent the report that follows it, because many readers form an impression of a story from the headline alone.

It is usually written in active voice, which identifies clearly who is doing what, making the headline more direct than a passive construction would allow.

Articles such as “a”, “an” and “the” are generally avoided in headlines, since removing them shortens the headline without changing its meaning.

Table 2.4 – Factors in writing a headline | Factor | What it means | |—|—| | Catchy | Draws attention through interesting, relevant wording | | Concise | States the central idea in as few words as possible | | Not misleading | Accurately represents the content of the report | | Active voice | Clearly identifies who is performing the action | | Articles avoided | “A”, “an” and “the” are dropped to save space |

A headline’s impact goes beyond simply describing a story. It sets the reader’s expectations before they read a single line of the report, and the words it chooses can shape how a reader perceives an issue even before they know the details — which is exactly why accuracy in headline writing carries so much weight.

three headlines for the same civic story A city’s health department begins testing water quality across residential blocks after residents report discoloured water from their taps.

  1. “City to Test Water Quality After Discolouration Complaints”
  2. “Water Testing Programme Announced”
  3. “City’s Water Declared Unsafe, Residents Warned”

Read it for: - Headline 1 is catchy, concise and accurate — it names the cause and the action without overstating the situation - Headline 2 is accurate but flat; it is concise, but not catchy enough to draw a reader’s attention - Headline 3 is catchy but misleading — testing has only begun, and no result has declared the water unsafe, so this headline creates a false impression the report does not support

Writing a Catchy Headline The pressure: a headline competes with dozens of others for a reader’s attention, which tempts a writer toward dramatic or exaggerated wording. The line: a headline may be attention-grabbing as long as it stays true to what the report actually establishes; it crosses over the moment it states or implies something the story has not yet confirmed. Who is affected: readers who form an opinion from the headline alone, and the publication’s own credibility, which is damaged every time a headline overstates its story.

Q3. What makes a headline catchy without tipping over into being misleading?

A. A headline is catchy when it draws attention through interesting, relevant wording rather than exaggeration, while staying concise and written in active voice. It becomes misleading the moment it states or implies something the report has not established — as with a headline announcing that a city’s water has been declared unsafe when testing has only just begun.

2.6 Photojournalism

A photograph can sometimes tell a reader in a single glance what a paragraph of text would take much longer to explain — the scale of a flood, the mood at a protest, the exhaustion on a rescue worker’s face. This section looks at how photographs function as news, and at the two skills that make a photograph useful as journalism: assembling a photo essay, and writing an accurate caption.

2.6.1 Photographs in a News Story

Photojournalism is the branch of journalism that communicates news through photographs rather than, or alongside, written text. A photojournalist follows the same discipline as any other reporter — verifying what is in front of the camera and representing it honestly — but does so through the camera rather than the pen.

NoteDefinition

Photojournalism is the practice of reporting news and current events through photographs that accurately and honestly record real people, places and situations.

Photographs matter to a news story for several reasons. They act as visual evidence, confirming to a reader that an event actually took place in the way it has been described. They establish context quickly, showing the scale or setting of an event — the extent of damage after a storm, for instance — in a way that written description alone often cannot match as efficiently. They also draw reader attention: a strong image is frequently the first thing a reader notices on a page or a screen, and it can pull them into a story they might otherwise have skipped. Finally, photographs create an emotional connection, allowing readers to see the human beings behind a report rather than only its facts and figures.

Because a photograph can influence a reader so strongly, photojournalism carries its own discipline of honesty. A photograph must represent a real situation as it actually occurred — the moment it is staged, posed to suggest something that did not happen, or digitally altered to change its meaning, it stops being journalism and becomes something closer to illustration or propaganda.

Q. A photographer asks two bystanders to stand closer together so a photograph of a protest looks more crowded than it actually was. Is this still photojournalism?

A. No. Once a photographer arranges a scene to misrepresent its scale or content, the image no longer records reality as it occurred, which is the basic requirement of photojournalism.

2.6.2 The Photo Essay

A single photograph can capture one moment, but many events and issues are too layered to be explained by one image alone. A photo essay is a set of photographs, arranged around one central theme, that together tell a fuller story than any single picture could on its own.

Each photograph in a photo essay contributes a different angle on the same subject — one image might show the setting, another the people involved, another a significant detail — and the images are arranged in a logical sequence, often following the order in which events actually unfolded, so that a viewer moving through the essay builds an increasingly complete understanding of the issue.

Building a Photo Essay Purpose: to explore a subject in more depth than a single photograph allows, by showing it from several connected angles. How it is done: choose one clear theme; select photographs that each add a distinct aspect of that theme rather than repeating one another; arrange the images in a sequence that a viewer can follow logically, usually chronological or thematic. What to watch for: every image must genuinely add something new — a photo essay that repeats the same view several times loses its narrative value. Limitation: a photo essay depends on having access to a subject over time or across several locations, which is not always possible within a short reporting deadline.

Table 2.5 – Photojournalism vs the Photo Essay | Feature | Photojournalism (single image) | Photo Essay | |—|—|—| | Scope | Usually one photograph capturing one moment | A connected series of photographs on one theme | | Time sensitivity | Tied closely to a specific, often urgent event | Can be built over a longer period of observation | | Storytelling | Reports a single fact or moment | Builds a fuller narrative across several images |

2.6.3 Writing Captions for Photographs

A photograph rarely explains itself completely. A caption is the short text placed beneath or beside a photograph that tells the reader what they are looking at — who or what is shown, where and when the photograph was taken, and why it matters to the story.

Captions serve several purposes at once. They provide the background a viewer cannot get from the image alone, such as the location and date. They clarify details that might not be obvious, such as the identity of a person or the significance of an object in the frame. Most importantly, they prevent misinterpretation: without a caption, a viewer might guess wrongly at what a photograph shows, and a well-written caption closes that gap.

an original caption for a news photograph A photograph shows a group of volunteers loading sacks onto a truck outside a community hall.

Caption: “Volunteers load relief supplies onto a truck outside the Sector 9 community hall on Thursday, ahead of distribution to families affected by this week’s flooding.”

Read it for: - The caption names the place and the day, answering questions the image alone cannot - It explains why the scene matters — the supplies are for flood relief, not a routine delivery - It avoids naming any individual, since their identity is not essential to understanding the photograph

Writing an Accurate Caption The pressure: a caption can make a plain photograph seem more dramatic than it is, which tempts a writer to add detail the image does not actually support. The line: a caption may explain and add context, but it must never claim something the photograph itself does not show. Who is affected: readers, who may take an inaccurate caption as fact, and the people shown in the photograph, whose situation could be misrepresented.

Q5. Can a photograph carry a news story on its own, or does it always need words alongside it?

A. A photograph provides visual evidence, establishes context and creates an emotional connection, but it rarely explains itself completely: a viewer cannot tell from the image alone who is shown, where and when it was taken, or why it matters. A caption supplies that background and prevents misinterpretation, which is why news photographs are published with words alongside them.

Project link: Create a photo essay on a theme of your choice, with suitable captions (Paper II Project Work) Plan and assemble a photo essay of six to eight images on a theme of your choice — for example, a single day at your school, a local market, or a neighbourhood in change. Write one caption for each image, following the guidance above, and arrange the images in a logical sequence with a short note explaining your chosen theme. If any image includes another person, obtain their informed permission before photographing them, and complete this project only with your teacher’s guidance and approval.

2.7 Summary

  1. Journalism is the organised activity of gathering, verifying and presenting information about current events to the public, distinguished from ordinary conversation by its discipline of verification and its concern for public interest.
  2. News is verified information about a recent or significant event, presented in a way that helps people understand and respond to it.
  3. Hard news covers urgent, high-impact matters of governance, economy and public policy, and is written quickly and formally. Soft news covers human interest, lifestyle and culture, remains relevant longer, and allows a more descriptive style — though both must remain factually accurate.
  4. The five components of news are accuracy, attribution, fairness, clarity and brevity. Together they ensure a report is correct, properly sourced, balanced, understandable and free of unnecessary detail.
  5. The eight news values that help journalists judge what deserves coverage are timeliness, proximity, prominence, conflict, consequence, oddity, human interest and development.
  6. The inverted pyramid structure arranges a report in descending order of importance: the lead carries the most essential facts, the nutgraph explains why the story matters, the body supplies supporting detail, and the end holds background information.
  7. A strong lead is built around six questions — who, what, when, where, why and how — which together ensure a report leaves no essential dimension of the event unanswered.
  8. An effective headline is catchy, concise, not misleading, written in active voice, and generally drops articles such as “a”, “an” and “the” — balancing the need to attract attention against the responsibility to represent the story accurately.
  9. Photojournalism reports news through photographs, which provide visual evidence, establish context, draw reader attention and create emotional connection, provided the image honestly records a real, unstaged situation.
  10. A photo essay is a connected series of photographs, arranged around one theme and in a logical sequence, that together tell a fuller story than a single image can.
  11. A caption gives a photograph the context a viewer cannot get from the image alone — identifying what is shown, where and when it was taken, and why it matters — and must never claim more than the photograph itself supports.

2.8 Key Terms

  1. Accuracy — Ensuring every fact, figure and detail in a report is correct and verified before publication.
  2. Active voice — A sentence construction that clearly identifies who is performing the action; the preferred style for headlines.
  3. Articles — The words “a”, “an” and “the”, generally dropped from headlines to save space.
  4. Attribution — Clearly naming the source from which a piece of information was obtained.
  5. Body — The part of a report, following the lead and nutgraph, that carries supporting detail.
  6. Brevity — Presenting a report concisely, including only what is necessary to understand the event.
  7. Caption — The text accompanying a photograph that explains what it shows, where, when and why it matters.
  8. Catchy — A quality of headline writing that draws the reader’s attention through interesting, relevant wording.
  9. Clarity — Writing in language simple enough for any reader to understand at first reading.
  10. Conflict — A news value based on disagreement, opposition or struggle between individuals or groups.
  11. Consequence — A news value based on how many people an event affects, and how seriously.
  12. Development — A news value based on an ongoing situation that continues to produce new information.
  13. End — The final part of a report, holding background information that adds context but is not essential.
  14. Fairness — Presenting a balanced account that includes the relevant viewpoints of all sides.
  15. Hard news — News covering serious, time-sensitive, high-impact events such as governance and public policy.
  16. Headline — The introductory line of a news report, meant to draw attention and summarise its content.
  17. How — One of the six questions a lead answers, covering the manner or process behind an event.
  18. Human interest — A news value based on personal experience or emotion that helps readers connect with a story.
  19. Inverted pyramid — A structure for news writing that arranges information in descending order of importance.
  20. Journalism — The organised activity of gathering, verifying and presenting information about current events to the public.
  21. Lead — The opening sentence or paragraph of a report, carrying its most important facts.
  22. News — Verified information about a recent or significant event, presented for public understanding.
  23. Not misleading — A requirement that a headline must accurately represent the report that follows it.
  24. Nutgraph — The paragraph following the lead that explains why a story matters.
  25. Oddity — A news value based on how unusual or unexpected an event is.
  26. Photo essay — A connected series of photographs, arranged around one theme, that together tell a fuller story.
  27. Photojournalism — The practice of reporting news through photographs that honestly record real situations.
  28. Prominence — A news value based on the standing of the people or institutions involved in an event.
  29. Proximity — A news value based on how close an event is to the audience, geographically or culturally.
  30. Public interest — The idea that information matters to people beyond the reporter’s own immediate circle.
  31. Soft news — News covering human interest, lifestyle and culture, which remains relevant over a longer period.
  32. Timeliness — A news value based on how recent an event is.
  33. Verification — The process of confirming that a piece of information is true before it is shared.
  34. What — One of the six questions a lead answers, covering what has actually happened.
  35. When — One of the six questions a lead answers, covering the timing of an event.
  36. Where — One of the six questions a lead answers, covering the location of an event.
  37. Who — One of the six questions a lead answers, covering the people or institutions involved.
  38. Why — One of the six questions a lead answers, covering the reasoning or cause behind an event.

2.9 Points to Ponder

  1. If a headline is technically accurate but worded specifically to provoke outrage, has it still done its job responsibly?
  2. The inverted pyramid puts the most important fact first, which means many readers may stop reading before the end of a story. Does this structure change what a reader ends up understanding about an event?
  3. A photograph is considered honest if it is unstaged, but a photographer still chooses what to include in the frame and what to leave outside it. Can a photograph ever be completely neutral?
  4. If a soft news story is written with as much narrative freedom as a short story, at what point might it stop reading like journalism at all?
  5. A caption can add emotional context to a photograph. Does this help a reader understand the image more fully, or does it shape how they are meant to feel about it?
  6. News values determine which events get covered and which do not. Does this mean some genuinely important events simply go unreported because they lack the qualities editors look for?

2.10 Objective Questions

  1. Journalism is best defined as:

    1. any conversation about a recent event
    2. the organised, verified gathering and presentation of information about current events for the public
    3. a collection of opinions about current affairs
    4. any photograph published in a newspaper [1 mark]
  2. Which of these is the clearest example of hard news?

    1. A feature on a family’s century-old bakery
    2. A report on a new state budget announcement
    3. A travel article on a hill town
    4. A profile of a local artist [1 mark]
  3. In the inverted pyramid structure, which part of a report comes immediately after the lead?

    1. The end
    2. The headline
    3. The nutgraph
    4. The caption [1 mark]
  4. Which of the following is NOT one of the five factors journalists consider while writing a headline?

    1. Catchy
    2. Concise
    3. Written in the past tense
    4. Not misleading [1 mark]
  5. A photo essay is best described as:

    1. a single dramatic photograph
    2. a caption written for a news photograph
    3. a connected series of photographs arranged around one theme
    4. a photograph that has been digitally enhanced [1 mark]
  6. Assertion (A): A news report can be accurate but still fail as journalism. Reason (R): Accuracy alone does not guarantee that a report is fair, clear or properly attributed.

    1. Both A and R are true and R is the correct explanation of A.
    2. Both A and R are true but R is not the correct explanation of A.
    3. A is true but R is false.
    4. A is false but R is true. [1 mark]
  7. Assertion (A): An unusual weather event in a region is reported mainly because of its oddity. Reason (R): Oddity as a news value depends on how many people an event affects.

    1. Both A and R are true and R is the correct explanation of A.
    2. Both A and R are true but R is not the correct explanation of A.
    3. A is true but R is false.
    4. A is false but R is true. [1 mark]
  8. Assertion (A): A caption should only describe what is visible in the photograph. Reason (R): Adding context such as location and date helps a viewer understand what a photograph alone cannot show.

    1. Both A and R are true and R is the correct explanation of A.
    2. Both A and R are true but R is not the correct explanation of A.
    3. A is true but R is false.
    4. A is false but R is true. [1 mark]
  9. Match the component of news in Column A with its requirement in Column B. | Column A | Column B | |—|—| | a. Attribution | i. Including only what is necessary to understand the event | | b. Fairness | ii. Naming the source of a claim | | c. Brevity | iii. Writing in language any reader can follow | | d. Clarity | iv. Representing all relevant viewpoints | [1 mark]

  10. Fill in the blank: The paragraph that follows the lead and explains why a story matters is called the __________. [1 mark]

2.11 Check Your Concepts

  1. Define news, and state one reason why not every event qualifies as news. [2 marks]

  2. Name the five components of news in the order in which they are usually discussed. [2 marks]

  3. Differentiate between hard news and soft news, with one example of each. [3 marks]

  4. Explain the role of the nutgraph in a news report, with a brief example. [3 marks]

  5. Explain any two news values with suitable examples, and explain why each makes an event more likely to be reported. [4 marks]

  6. Explain the five Ws and one H with reference to reporting a news story. [4 marks]

  7. Describe the inverted pyramid structure in full, explaining the lead, nutgraph, body and end, and explain why this structure remains useful in journalism today. [6 marks]

  8. Discuss the role and importance of photographs in a news story, with suitable examples. [6 marks]

2.12 Analyse the Media Text

  1. Read the lead below and answer the questions that follow.

    “The state’s transport department announced on Wednesday that fares on all city bus routes will increase by 8 percent from next month, following a rise in fuel costs.”

    1. Identify which of the six questions — who, what, when, where, why and how — are clearly answered in this lead. [2 marks]
    2. Which of the six questions is not fully answered here? Explain why a complete report should ideally address it. [2 marks]
    3. Rewrite the lead in one or two additional sentences to supply the missing element. [2 marks]
  2. A school’s sports day has to be moved indoors because of unexpected rain. Read the three headlines written for this situation and answer the questions that follow.

    1. “Sports Day Moved Indoors Due to Rain”
    2. “Weather Threatens to Wash Out School’s Big Day”
    3. “School Cancels Sports Day”
    1. Identify which headline is misleading, and explain why. [2 marks]
    2. Which headline best balances being catchy with being accurate? Give one reason. [2 marks]
    3. Rewrite the weakest headline so that it corrects the problem you identified. [2 marks]
  3. A photograph shows a group of children carrying textbooks while wading through ankle-deep water on a street. It is published with the caption: “Children make their way to school.”

    1. Identify two kinds of information missing from this caption that a well-written caption should usually provide. [2 marks]
    2. Rewrite the caption to include this missing information, without inventing any fact the photograph does not support. [2 marks]
    3. Explain one ethical risk a photo desk should guard against when captioning an image like this one. [2 marks]

2.13 Craft Practice

  1. Write a news lead of 40 to 60 words for the following situation: a local library extends its opening hours during the examination season. Your lead must clearly answer at least four of the six questions — who, what, when, where, why and how. Submit the lead as a single paragraph. [4 marks]

  2. A community park is being renovated and will remain closed for two months. Write three alternative headlines for this story: one that is catchy and accurate, one that is accurate but flat and uninteresting, and one that would count as misleading. Label each headline clearly and submit all three together. [4 marks]

  3. Write a caption of two to three sentences for a photograph of your choice — real or described — showing a scene from your school or neighbourhood. Your caption must identify the setting, the approximate time, and why the moment is worth photographing, without claiming anything the image itself would not show. Submit the caption along with a one-line description of the photograph it accompanies. [3 marks]

  4. Plan a short photo essay of four to six images on a theme of your choice. For each image, write a one-line description of what it would show and a short caption. Arrange the images in a logical sequence and submit your plan as a numbered list with a brief note explaining your chosen theme. [5 marks]